Graffiti, street art, comics, designer toys, erotic photography — what was once considered infantile, frowned upon, or even criminal is now fashionable and has become part of the visual language of advertising, standing for authenticity, coolness, and subversion. The exhibition explores whether this rebellious aesthetic serves as window dressing for a conformist and static society.

The works parody and invert propaganda, taking the contrast between empty decoration and the communication of messages to an extreme.